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Since then Dana has collaborated with Shake Russell, Kim Carnes (Betty Davis Eyes), Maura O'Connell, Susan Werner, Kim Richey, Don Henry, Tom Kimmel, Hal Ketchum and more.  Central to Cooper's unique artistry is his ability to connect with audiences through his authentic stories and warm stage presence. Dana's mixture of flat-picking, finger picking, and percussive strumming is \"Legend Among Other Guitarists.\" His harmonica playing equally impressive. As one critic noted, \"he sings like an angel and plays like the devil.\" His decades of experience shine through in the ease and humor he brings to both his playing and storytelling. Though he's performed with Folk and Americana greats, Cooper has always followed his own musical vision.   \"Few artists can claim to make music for 50 years & still do so with the same eagerness & enthusiasm that marked their initial efforts.\" - American Songwriter - Lee Zimmerman \"Dana has a poet's eye for beauty & detail, a blue's man's soul & a songbird's gift.  He is remarkable.\" - Hayes Carll  - Acclaimed Musician Acclaimed singer-songwriter Dana Cooper releases his highly anticipated 32nd studio album, “The Ghost of Tucumcari”, on May 17, 2024. Featuring an All-Star lineup of guest artists, the album marks a major achievement for the veteran musician after over 50 years in the business. Dana's 1st release on Elektra Records came out 51 years ago featuring the legendary band \"The Section\" with Leland Sklar & Russ Kunkel as his session band for the album. Artists lending their voices to this project are Lyle Lovett, Hayes Carll, Susan Gibson, Mando Saenz, Darden Smith, Shake Russell, Libby Koch and more. Dana's story is one of true perseverance and lifelong dedication to his craft. “Few artists can claim to make music for 50 years and still do so with the same eagerness and enthusiasm that marked their initial efforts.” Lee Zimmerman - American Songwriter “The Ghost of Tucumcari” takes listeners on a stirring musical journey across genres from Folk and Rock to Country and Americana. Standout tracks include the haunting first single \"The Ghost of Tucumcari\" featuring Grammy winner Lyle Lovett and the rousing rendition of Woody Guthrie’s song \"This Land Is Your Land\" with Lyle Lovett, Hayes Carll, and all the other guest vocalists on the album.  The Album is currently booming on Spotify and all other digital platforms.  Quote from Glide Magazine - \"The Title Track crackles with a mysterious energy that would make for the background music of a David Lynch film, where dreamlike patterns form out of the subconscious.  With Lyle Lovett on vocals, the track encapsulates the essence of true Americana\". Link to Single on ALL Digital Platforms - https://digital-delivery-services.lnk.to/WD4ChZK4EM “Dana has a poet’s eye for beauty & detail, a blue’s man’s soul, and a songbird’s gift. He is remarkable.” - Hayes Carll \"The Album is 5 Star Grammy Material.\" - Shake Russell \"Genius\" - Tom Tranchilla - KPFT Radio \"Blown Away.  The Title Cut! What can I say but \"Meow\" - Marilyn Rea Beyer - Midnight Special - WFMT \"The Ghost of Tucumcari\" earns its right to be selected as the haunting title track.  Cooper makes it clear that not only does he know how to collaborate, but he also has extensive industry experience.\" - Will Phoenix - Newsbreak \"Americana of the Highest Order\" - Fred Schmale - Real Roots Cafe \"The songs on this album span decades, from the 70’s up to right now.\" said Cooper.  “Every artist/friend that contributed gave wonderful performances.” In addition to the album, Cooper will embark on an extensive North American tour with several shows sponsored by Ryan Bingham's - Bingham's Bourbon. Kicking off in May in Texas and touring nationally thru 2025, the tour will give both diehard and newfound fans the chance to experience Cooper's legendary live performances firsthand. 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His great-grandmother was an opera singer and his grandmother—a passionate violinist as well—prophesied that he would be the family’s next violinist while holding him on her deathbed when he was two months old.  An Itzhak Perlman performance on Sesame Street became his earliest musical inspiration—at just three-and-a-half—and classical music first provided the impetus to learn his instrument. Over the years other influences have come into play: from exposure to the raw energy of rock music he picked up guitar, watching a Ben Harper concert turned him onto songwriting, and sojourns in Spain and Cuba introduced flamenco, salsa, and Afro-Cuban rhythms into his repertoire. Embracing these diverse influences, Tim's musical odyssey took him to uncharted territories. Returning to college, he spent a year studying jazz and eventually rediscovered his love of classical music.\n\nWith a career now spanning international borders, music has led Tim to tour throughout Europe, Australia, New Zealand, Brazil, Mexico, Canada, and the United States.  He has written and recorded countless string arrangements for artists across the globe including hip-hop Icon Talib Kweli, Nickelodeon’s Big Time Rush, Kairo, Baby Fisher, Justine Sky, Hire, Satsang, and many more. He has shared the stage as a featured guest with legends such as Dispatch, the Colorado Symphony, OAR, John Butler, G-love, Donovan Frankenreiter, Mike Love, and many others. During his five-year tenure with Nahko and Medicine for the People he played on iconic stages to sold-out crowds in amphitheaters like Red Rocks and The Greek to stadiums like Suntrust Park and Rogers Centre. 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His previous full-length album releases, Chapter of the Forest (2014) and KALA (2015), debuted at #3 and #2 on the iTunes singer/songwriter chart respectively and were supported by extensive tours around the US and Australia. Beyond his intention to spread love and healing through music, Hall also collects donations to support children’s education in India and has continuously donated to charities and relief funds. The Fruitful Darkness is Trevor’s first independent release — supported by his fans known as THE VILLAGERS — has become the #1 Music campaign of its kind in 2017 — after a decade plus recording for established labels such as Geffen and Vanguard. “There have been many hurdles and triumphs along the way” Hall reflects. “This album conveys the deep vulnerability of journeying through the unknown, as opposed to playing it safe.” Besides the change in infrastructure, the album itself explores completely new sonic terrain and is being released unconventionally, in 3-5 song installments on specific lunar dates. 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If you don’t know Eli now, you will in the near future!\n","main_category_path":[16],"category_path_ids":[16],"city_country":"Buena Vista, United States","start_date":"2026-06-19","start_time":"2026-06-19T20:00:00-06:00","end_time":"2026-06-20T00:00:00-06:00","door_time":null,"last_entry_time":null,"source_status":null,"open_house":{},"original_links":{},"venue":{"name":"The Lariat","address_1":"206 E Main St","address_2":null,"town":"Buena Vista","country":"United States","post_code":null,"latitude":38.842298,"longitude":-106.131719},"_geoloc":{"lat":38.842298,"lng":-106.131719},"start_time_i":1781920800,"end_time_i":1781935200,"created_time_i":1765404070,"last_indexed_i":1778796355,"score":100,"tags":[],"objectID":"41250465"},{"title":"At The Watertower @ Benson's Tavern and Beer Garden (FiBArk Weekend!)","category_ids":[471],"root_category_ids":[16],"summary":null,"hashtag":null,"images":{"original":{"url":"https://photos.bandsintown.com/thumb/24137855.jpeg"}},"links":{"Website":"https://www.bandsintown.com/e/108263683?app_id=y5t04gz269&came_from=287&utm_medium=api&utm_source=partner_api&utm_campaign=event"},"artists":"At The Watertower","keywords":null,"prices":null,"local_publisher_ids":null,"country":{"iso_code":"US","name":"United States","region":"Americas","subregion":"Northern America"},"contact":null,"ugc_publisher_ids":[],"publisher_ids":[],"featured_publisher_ids":[],"sources":["bandsintown"],"eventbrite_id":null,"organiser_name":null,"category_name":"Country Music","source_id_s":"108263683","publisher_editable":false,"publishing_times":{},"publisher_flags":{},"sources_with_ugc_publishers":["bandsintown"],"ownerships":[],"user_id":null,"account_id":null,"editorial_tools_publisher_ids_filter":["backfill"],"editorial_tools_category_ids_filter":[471,"backfill"],"online_only":false,"evvnt_ticketing_portal_id":null,"premium":false,"sub_brand":null,"print_eligible":true,"weighted_start_time_i":4937619600,"category_names_with_ids":["471|Country Music"],"has_evvnt_ticketing?":false,"event_parent_id":null,"source_broadcast_url":null,"core_metadata":null,"source_id":108263683,"blacklisted_publisher_ids":[],"editorial_pick_publisher_ids":[],"editorial_publisher_ids":[],"description":"Friday night entertainment at Benson's during FiBArk weekend in Salida Colorado. 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His debut record Scattered Poems  was recorded in the Ballard neighborhood of Seattle, Washington and released in the fall of 2018 - an elegant and timeless debut, graced by the talents of some of the Northwest’s finest roots musicians including Anna Tivel, Eli West, Sam Esecson and Birch Pereira.\n\nPartnering with the label Color Red, he released his sophomore LP Southern Star on 12/3/21 - which he recorded with his band at Avast Recording Company and co-produced alongside multi-instrumentalist Bryant Moore.  \n\n\"The dreamy and ethereal opening track, “Finally,” sets the twangy, but not overtly so, sound for the seven songs that follow. 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From headlining festivals to opening for legendary acts like John Butler Trio, Michael Franti & Spearhead, The Dead South, and Joel Plaskett; Bombargo has rapidly made a name for themselves globally with their life changing live performances, captivating music, and The Good Time GuaranteeTM. 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Their dynamic arrangements, infectious energy, and genre-bending style have earned them a loyal following and a reputation as one of Colorado’s must-see live acts. Whether performing in intimate clubs or on iconic stages, FLAB delivers an unforgettable experience that turns first-time listeners into lifelong fans. Formed in 2014, the six-piece band features Cory Pearman (lead vocals, rhythm guitar), Jason Clukies (bass, backup vocals), James Steinbach (lead guitar), Jon Cales (drums, backup vocals), Cory “Beef” Meier (keys, trombone), and Luke Story (saxophone, trumpet). Over the past decade, they’ve become a force in the Colorado music scene and beyond, playing iconic venues like Red Rocks Amphitheatre, The Gothic Theatre, The Bluebird Theater, and Dillon Amphitheater, where they recently opened for jam-funk powerhouse Lotus. Their festival appearances include two performances at the nationally renowned Summer Camp Music Festival, solidifying their status as a band built for the big stage. They’ve shared bills with an eclectic list of legends and rising stars, including Sting, WAR, The Motet, Pepper, HER, Turkuaz, Big Sam’s Funky Nation, Dragon Smoke, The Main Squeeze, and many more. Following their debut album Back From Nowhere and 2022’s Day Late, Dollar Short, the band continues to expand its reach - including a 2024 collaboration with The Cheyenne Symphony Orchestra to explore new sonic territory. Float Like a Buffalo has toured nationally and internationally, earned accolades like Westword’s Best Funk Band and 303 Magazine’s Top 30 Rock Bands, and garnered praise for their “mighty, melodious, sing-along surge…funky footings and mug-melting peaks” (The Wax King). With new music and more tour dates on the horizon, Float Like a Buffalo’s upward trajectory is undeniable - and their party is just getting started. Float Like a Buffalo is rock with funk, ska, reggae, and jam influences. 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But sometimes what gets lost in the shuffle of all the well-deserved acclaim for what she adds to other artist’s projects is the music she makes in her own right. \n \n“It's been way too long since I have released music that is all mine,” she says. “I’m so proud of how these songs turned out, and it just felt like the right time to put new music out and see if people are still interested in what I’m doing on my own.” \n \nIt’s a comment bathed in humility, and the kind of thing an artist only says if they’re really in it because no other career path would ever really make sense for them. What else is there to do but to keep doing it? Her comments are referring to a new two-song project called Boomtown to Bust, an A-side and B-side single that she’s taking the extra mile and releasing on vinyl. “I love the good old-fashioned singles releases: a taste of what the artist is currently creating, without ingesting an entire album,” she says.\n \nBoth songs were written with Ben Jones as part of a yet-to-be-released duets album with Dan Dyer, and recorded with Jonathan Tyler at his home studio, Clyde’s VIP Room. “Jonathan Tyler and I have known each other for years and I have always been a big fan of his music, his work ethic and his vibe in general,” Mickwee says. “I was driving and heard his tune ‘Old Friend’ come on the radio and thought, that’s it, I need to make some music with this guy. So, I sent him a demo of these two tunes and asked if he’d help give them life.”\n \n“We wanted a ‘Red Headed Stranger’ kind of feel but with a ‘mining’ or ‘gold’ metaphor,” she says about Side A, “Boomtown to Bust.”\n \n“Once we got it into the studio with the band, it was just undeniable that it wanted to be a waltz. I love Dan [Dyer]’s harmony vocals on this one. Cody Braun’s fiddle sits perfectly with the mood of the song and Marty Muse glues it all together with his dreamy pedal steel. It's a reflection on what comes when that love loses its glitter and shine.”\n \nSide B, “Let’s Just Pretend (We’re Holding Hands),” is a story of unrequited love, with a little tinge of hope weaved in. “Speaking of love, I love what Jonathan Tyler played on the electric guitar on this one,” Kelley says. “That, and the accordion, really give it that extra little push into that juicy Texas ‘The Mavericks’ kinda sound, which was completely unintentional but welcomed.” \n \nBoomtown to Bust is Kelley’s first original release since 2014’s You Used to Live Here, her debut solo record. She wasn’t kidding when she described the album’s release as feeling like “totally starting from scratch again” … and more than a little scary. Although she was already a seasoned artist at that point with a decade’s worth of experience under her belt, up until then all of her performing and recording experience had been as part of a unit: first as half of the Memphis-based duo Jed and Kelley, and then as one-fourth of Texas’ acclaimed all-woman Americana group, the Trishas. \n \nWhen the Trishas, all living in different parts of the state or as far away as Tennessee, collectively decided to slow their roll a few years back, Mickwee realized that in order to keep living the dream of playing music for a living, she was going to have to strike out on her own. \n \nThree years later she took a different leap, one that was not so much a matter of “starting over from scratch” so much as just learning how to take her hands off the wheel and have fun as a proud member of one of the hottest acts in Texas: Shinyribs. \n\nLaunched in 2007 by Gourds co-founder Kevin Russell as a “solo” vehicle, Shinyribs has since evolved into arguably the most explosively entertaining band to spring from Austin in decades. Mickwee joined the family in September 2017, claiming her spot onstage next to Alice Spencer as one of the band’s two harmony and backup-singing “Shiny Soul Sisters.” She had to hit the ground running and learn the ropes fast (knowing that Shinyribs would be taping its debut appearance on TV’s Austin City Limits the following month), but from the start she felt not just right at home, but exactly where she needed to be. \n\nThe Trishas never did exactly breakup, though, meaning that Mickwee and her other song sisters Jamie Lin Wilson, Liz Foster and Savannah Welch still happily reassemble every once in a blue moon when their schedules line up or a favorite gig comes around — like the annual MusicFest in Steamboat Springs, Colorado, where they all played their very first show together as part of a 2009 salute to Savannah’s father, renowned songwriter Kevin Welch. Mickwee is also still an active partner (alongside co-founders Susan Gibson, Walt Wilkins, Drew Kennedy, and Josh Grider) in the Red River Songwriters Festival, which will celebrate its 10th anniversary in 2022. “That's our little baby, and it’s doing pretty well — the last few years have sold out!” Mickwee says proudly of the event, which is held every year in Red River, New Mexico and preceded by a short “Traveling Red River Songwriters” tour. \n\nAnd then there’s Mickwee’s weekly on-air gig she hosted for five-and-a-half years until she had to step away in 2021, the “River Girl Radio” on Austin’s “Sun Radio” (www.sunradio.com). “The format was pretty much whatever I was feeling,” she says. “I was given a lot of freedom to play whatever moved me within that hour each week.  It was so rewarding to get to stretch that creative muscle and learn about a ton of music I wasn’t familiar with in the process.” (Mickwee can still be heard all day, every day as “The Voice” of Sun Radio.)\n\nWith all of the above currently on her plate, one wouldn’t think Mickwee would have any time at all left over to devote to her own performing songwriter career. Even though scaling back was part of her plan all along, it’s still very much a part of her bigger picture. 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